04 Takes A Lot To Laugh, Takes A Train To Cry.flac | 1991-09-22 | Grateful Dead

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Grateful Dead

2,065 shows

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

195 shows

238 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,062 shows

1,406 tapes

Jerry's Middle Finger

145 shows

174 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

380 shows

551 tapes

North Mississippi Allstars

Phil Lesh and Friends

776 shows

2,784 tapes

Pigeons Playing Ping Pong

String Cheese Incident

1,225 shows

1,955 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1991

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Deer Creek Music Center

Deer Creek Music Center

Buckeye Lake Music Center

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Pine Knob Music Theater

Pine Knob Music Theater

Sandstone Ampitheatre

Bonner Springs, KS, USA

Sandstone Ampitheatre

Bonner Springs, KS, USA

Shoreline Amphitheater

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Polo Field, Golden Gate Park

San Francisco, CA, USA

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:04:08

7 tapes

Sources

SOURCE 1 OF 17

2:42:46

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] September 30, 2020

SHNID:

gd1991-09-22.150681.sbd.cm.miller.flac16

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 17

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] September 30, 2020

SHNID:

gd1991-09-22.150637.sbd.pearson-healy.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple masters were used to make this show complete

SOURCE 3 OF 17

2:42:20

SBD

Taper:

PO and Stucco TINA Holmes

Transferrer:

Mastering and editing by acetboy

SHNID:

gd1991-09-22.138149.dsbd.GEMS.flac16

Source:

DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017

Taper Notes:

View Notesa project **GEMS** Beta-DATmania Release April 20, 2017


Band:
Jerry Garcia
Bob Weir
Phil Lesh
Bill Kreutzmann
Mickey Hart
Vince Welnick
Bruce Hornsby

Sound:
Dan Healy

originally shared at www.shnflac.net

SOURCE 4 OF 17

Soundboard -> DAT @ 48kHz

Lineage:

Sony PCM-R500 -> Nuendo Multiset -> WaveLab 4.0g

Taper Notes:

View NotesNOTE:  This is not the circulating SSSB version which has cuts in Shakedown Street and in Maggie's Farm during the first set (a result of malfunctioning ADATs).  This is the complete uncut DSBD version of this show.

SOURCE 5 OF 17

2:28:32

SBD

Transferrer:

fix of shnid 7692 by Bill Tetzeli

SHNID:

gd1991-09-22.sbd.serafin.tetzeli.fix-7692.34686.flac16

Source:

Soundboard

Taper Notes:

View NotesFix of shnid 7692

This is a fix of Jay Serafin's upload to gdlive.com.  I made the transition between CDs 2 and 3 seamless by removing overlapping material in Cool Edit 2000.  Although there was plenty of unfaded overlap, the levels were slightly different and I had to do a sliding volume change starting at +.79 db in the left channel and +.28 db to match the splice points (determined with the aid of CD2K's statistics tool).  I also used shntool to correct all SBEs and split drums and space into two separate tracks.  Finally, I converted all the nonseekable (and SBE errored) SHNs into FLAC.

Fade tracks were added to the end of CD 2 and the beginning of CD 3 for those wishing to burn to CD.  Remove these tracks for seamless play.

Bill Tetzeli ([email protected])
6:12 PM 4/9/2006
--------------------------------------------------------------------------------------
This source was originally distributed with REPLAYGAIN tags in the flac files. This has no impact on the wav files inside the flacs, but it messes with the volume if you listen to the flac files directly. The new version of the source has the REPLAYGAIN tags removed. If you have the original source, you can create the new files by decompressing the original flacs and then recompressing them at flac LEVEL 8.

SteveSw, 4/22/2009
---------------------------------

SOURCE 6 OF 17

gd91-09-22.sbd.fishman.17180.sbeok.shnf

Source:

DSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman

Taper Notes:

View NotesDSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman

SOURCE 7 OF 17

gd1991-09-22.sbd.serafin.7692.shnf

Source:

SBD> ? > DAT > SSB, based on report: "There were *no* multi track recordings made during the Fall '91 tour. David Lemieux has confirmed this."

Lineage:

All editing performed @ 24-bit/96 kHz sampling at Serafin Station Studio B

SOURCE 8 OF 17

gd1991-09-22.sbd.spinale.530.shnf

SOURCE 9 OF 17

Charlie Miller, Sirmick

SHNID:

gd1991-09-22.155571.senn-me88.rogosa.miller.sirmick.flac1648

Source:

Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.

Lineage:

Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48

Taper Notes:

View NotesThanks to Don Rogosa for sharing his recording.

Thanks to Charlie Miller for the transfer.


edited and mastered
SIRMick
February 2022

SOURCE 10 OF 17

2:43:13

Taper:

From the collection of Tim Dalton

Transferrer:

Sirmick and Charlie Miller

SHNID:

gd1991-09-22.150325.Neuman-TLM170.dalton.miller.sirmick.flac1648

Source:

Neuman TLM170 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > CD Wave > flac 1648

Taper Notes:

View NotesThanks to Tim Dalton for providing his recording..

Thanks to Charlie Miller for the transfer.


edited and mastered
SIRMick
July 2020

SOURCE 11 OF 17

Rob Berger and Doug Lamarre

SHNID:

gd1991-09-22.139817.aud.liff.lamarre.berger.flac1648

Source:

<b>flac16/48kHz</b>; source: daud; taped by Dan Liff r.i.p; neumann rsm 190i > sony tcd-d10 pro; transferred & seeded - Rob Berger

SOURCE 12 OF 17

2:43:34

Transferrer:

Matrix by Dave Usborne

SHNID:

gd1991-09-22.134354.mtx.dusborne.flac16

Source:

3 Source Matrix byDusborne;Soundboard (shnid:83156)Soundboard -> DAT @ 48kHz,Audience set 1(shnid:101440)B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0, Audience Set 2 (shnid:124594)AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's,Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz

Taper Notes:

View NotesMatrix by dusborne

04-27-2015
-------------------------------------------------------------------------------------------
Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 04-27-2015

SOURCE 13 OF 17

gd1991-09-22.AKG451.Currier.Keo.124594.Flac1644

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier for
recording and sharing his source for this show.Another
fine share from the Currier collection of masters from
this run of shows!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 14 OF 17

gd1991-09-22.AKG451.Currier.Keo.124593.Flac2496

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier for
recording and sharing his source for this show.Another
fine share from the Currier collection of masters from
this run of shows!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 15 OF 17

59:55

Taper:

James Young and Clay Brennecke

Transferrer:

Todd Evans and Jamie Waddell

SHNID:

gd1991-09-22.fob.bk4011.brennecke-young.gems.101440.flac16

Source:

Set 1 Only - Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB

Lineage:

16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)

Taper Notes:

View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994.  James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time!  Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.

SOURCE 16 OF 17

gd1991-09-22.nak300.andrewf.85224.sbeok.flac1648

Source:

Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa

Lineage:

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.

Taper Notes:

View NotesNOTE: This is the 48kHz file-set for archiving. These files cannot be 
burned to CDR. To make audio CDs, get the 44.1kHz file-set. Please do 
not downsample and recirculate these files for CDR... 

- Soundforge used to make fades. 
- TLH used for FLAC compression, and making checksums.

SOURCE 17 OF 17

gd1991-09-22.aud.andrewf.85223.sbeok.flac16

Source:

Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area.

Lineage:

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.

Taper Notes:

View Notes- Soundforge used to make fades. 
- TLH used for SBE-OK, FLAC compression, and making checksums. 
- Discs two and three can be rejoined seamlessly onto longer media.