02 Mississippi Half-Step Uptown Toodleloo.flac | 1990-09-18 | Grateful Dead

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1990

Oakland-Alameda County Coliseum

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Spring 1990

Hartford Civic Center

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Hamilton, Ontario, Canada

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McNichols Sports Arena

McNichols Sports Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:28:19

15 tapes

Sources

SOURCE 1 OF 20

gd1990-09-18.147781.UltraMatrix.sbd.cm.miller.flac16

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Tape flips patched with a Dat Master
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 20

gd1990-09-18.147622.ultramatrix.sbd.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Tape flips patched with a Dat Master

SOURCE 3 OF 20

gd1990-09-18.sbd.miller.fix-79022.86952.sbeok.flac16

Source:

SBD -> Dat (44.1k) D

Lineage:

Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC

Taper Notes:

View NotesNotes:

-- 2nd Set is seamless
-- Fixed drop-out in Foolish Heart with SBD Cass Master

SOURCE 4 OF 20

gd1990-09-18.sbd.miller.79022.sbeok.flac16

Source:

SBD -> Dat (44.1k) D

Lineage:

Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC

Taper Notes:

View NotesNotes:
-- 2nd Set is seamless

SOURCE 5 OF 20

2:53:38

SBD

Transferrer:

Charlie Miller and Bill Tetzeli

SHNID:

gd1990-09-18.sbd.miller.tetzeli.fix-12885.35162.reflac.flac16

Source:

SBD->Cm->Dat->CD->Cool Edit Pro->CD>EAC>SHN

Taper Notes:

View NotesCharlie used cool edit pro v1.2 to remove numerous gaps and cuts, and he normalized each disc (before tracking) to 98%.

Bill deleted the overlap between the CDs to make the transition seamless, and  used the AUD on archive.org to patch in a couple of seconds at the end of Picasso Moon, and eliminated a 53 second repeat starting at 5:03 on TOO.

SteveSw removed the REPLAYGAIN flags from the files.

SOURCE 6 OF 20

gd1990-09-18.138069.mtx.photoleon.t-flac16

Source:

Matrix by photoleon; Ambient Recording by Tom Darian; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; From Section A Row 19, seat 2 FOB - near center; transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700; and SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC

SOURCE 7 OF 20

gd1990-09-18.mtx.hansokolow.96156.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View Notes-----------------------------------

This is a matrix, done by hansokolow in ProTools, of the following digital sources:

DSBD: shnid=79022
SBD -> Dat (44.1k)

-----------------------------------

DAUD: shnid=9772
Primary Source: DFOB MAD>D>CD 
Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) 
Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 
(MIT reference XLR interconnects). 

Tapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers) 

Secondary Source: 20th row FOB B&K4011's> DAT; DAT> SHN via M1> Zoltrix> Cooledit2k> CDWAV> MKW

Secondary Source used to patch two master dat dropouts in Promised Land and two in Eyes.  Each dropout was approx. one second in length. Dropouts patched/crossfaded in soundforge.

-----------------------------------

My Notes:  One of the first shows I made a matrix of, so I don't have notes, but it turned out quite well.

Caveat: I don't take meticulous notes of every splice and adjustment I make, it's already time consuming enough, but I will explain my process.  Every disc I make is seamless for longer media.  I use the most reliable source, usually whichever is digital, if both are the same generally it's the SBD, and the other sources is time shifted to match that.  With analog sources there is always some wavering.  Within reason I try to adjust for the by making small, millisecond cuts, lining up the drum beats.  These are smoothed over and when mixed with another source, undetectable.  There still may be occasional phasing, particularly in the vocals and the cymbals.  Believe me that I do everything I can to minimize problems like that.  That includes cutting out spots of diginoise and blips and things.  Whenever there is something missing from one source but present on the other, I bring up the volume a tad on the source that's left, to minimize the jarring nature of one source dropping out.  When the crowd noise at the start of a set is less than two minutes or so, I don't make a separate crowd track.  I export the final result to aiff files, and then convert those into flacs at the smallest setting, using xACT for Mac, and that also makes then SBE safe.

I hope everyone enjoys the product of my labor, and I'm glad to give something back to the community that has given me and others so much music over the years.  Thanks, brothers and sisters.
-Tano ([email protected])

SOURCE 8 OF 20

gd90-09-18.sbd.miller.12885.sbeok.shnf

Source:

SBD>Cm>Dat>CD>WAV>SHN

Taper Notes:

View NotesLineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller

SOURCE 9 OF 20

2:54:11

SBD

SHNID:

gd1990-09-18.sbd.richey.11811.sbeok.shnf

Source:

SBD>DAT MASTER>DATX2>CDR

SOURCE 10 OF 20

Master Digital Audience Recording by Dave Brotman & Jeff Metchick

Transferrer:

Transfer by Charlie Miller Edited & Mastered by Joe Noel (Adobe Audition 2020) August 22, 2020

SHNID:

gd1990-09-18.150544.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648

Source:

(FOB) Schoeps CMC3/MK4 (ORTF) > M1000 Cables > Oade PS > Master Dat (Panasonic SV-250/48k). Location: Sec A Row 19 Seat 01 (FOB, mics on stand @ 6'5")

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48

Taper Notes:

View NotesNotes:
- upgrade to shnid 9772
- lineage & location is confirmed by taper & j cards.
* Hornsby on accordion

SOURCE 11 OF 20

Sirmick and Charlie Miller

SHNID:

gd1990-09-18.144893.nak300.cp4.dalton.miller.sirmick.flac1648

Source:

Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Taper Notes:

View NotesThanks to Tim Dalton for another fine recording

Thanks To Charlie miller for the transfer


ediyed and mastered
SIRMick
February 2019

SOURCE 12 OF 20

Charlie Miller and Joe Noel

SHNID:

gd1990-09-18.141167.OTS.AKG.Ackerman.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48

Taper Notes:

View NotesPatch info:
- shnid #139520 (Schoeps) supplies
- s2t06; 0:04 - 0:41 

Notes:
- portion of this show were officially released as Road Trips Vol 2 No. 1 & So Many Roads
* Hornsby on accordion

SOURCE 13 OF 20

3:06:50

Taper:

Rick Katzeff via the Rich Gastwirt Collection

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1990-09-18.139520.FOB.Schoeps.Katzeff.Gastwirt.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Rick Katzeff FOB Recording: Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255; Charlie Miller

Lineage:

Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- The taper's recording information is based on source #9772 & #132709, which raised some questions.  If you listen to the taper narrative that starts the second set of (9/20 - #132709), then compare the voice to the unfortunate comment made by the taper at the very beginning of s1t03 (Loser - 0:01 - #9772), they are the same.  Confirmation is based on previous transfers I have edited, where the taper made the exact remark.  Its well documented that both Katzeff & Tom Darien recorded from the same FOB seats for this entire run with the assistance of "Barry the security guard".  The same utterance can be heard on Darien's recording, amongst other banter.  That said source #9772 could not have been recorded by Dave Bratman/Brotman as stated in the database.  Unless he wants to be credited with the inappropriate observation.  One other note.  Bratman/Brotman has listed his recording location as Section 2, row 15, seat 1.  That, according to SeatGeek, is OTS & some mighty powerful mics that can pick up the Katzeff comment several hundred feet away during a rock concert.  Plus, the Garden as long as I have been a New Yorker has always listed the floor section by letter (A,B,C,etc).
- The transfer is the upgrade & it kills!
- This source may be a clone.
- Rich's DAT was water damaged, parts of 9772 were used to restore damaged segments.
- 9772 was speed corrected & converted to 48(Hz)
- Never ending daydream
* Hornsby on accordion

SOURCE 14 OF 20

3:02:53

SHNID:

gd1990-09-18.152738.mtx.seamons.ht130.flac16

Source:

Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 4, 2021

SOURCE 15 OF 20

gd1990-09-18.AKG451.Currier.Keo.131909.Flac2496

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier 
and company for recording and sharing their source 
for this show!Some higher recording levels present 
for the first set and a hour and twenty minutes
long and a very sweet second set as well, though
missing most of the "Drums" portion.All and all 
another excellent share from Mr. Currier's 
master collection and the Grateful Dead's 
1990 fall tour!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!

SOURCE 16 OF 20

gd1990-09-18.124767.AT835.Fix.laurentis.flac16

Source:

Taper: M. Laurentus; Loge/Taper Section Sec 56D,Row A,Seat 12; AT835B's- AT 8202’s-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac

SOURCE 17 OF 20

gd1990-09-18.at835b.laurentus.fix-96934.97021.flac16

Source:

AT835B's > AT 8202's > SONY TCD-5M-Cassette

Lineage:

MAC > SoundBlaster Extreme Hi-Fi Line In > Creative Recorder > CD Wave > FLAC

Taper Notes:

View NotesI do not believe that D1T10 (the promised land) was ever shared as part of this source.

SOURCE 18 OF 20

gd1990-09-18.at835b.laurentus.96934.flac16

Source:

AT835B's > AT 8202â?Ts > SONY TCD-5M > MAC

Lineage:

MAC > SoundBlaster Extreme Hi-Fi Line In > Creative Recorder > CD Wave > FLAC

SOURCE 19 OF 20

gd1990-09-18.bk4011.tdarian.french.88968.sbeok.flac16

Source:

B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center

Lineage:

Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master

Taper Notes:

View Notes"My primary crowd control weapon: Backstage passes to send the loud
mouths away"..... "with "Barry" the usher keeping the crowd as quiet as he could. And covering the mic stand from the aisle side "

20th anniversary of James Marshall Hendrix's death

SOURCE 20 OF 20

gd90-09-18.schoeps-fob.sacks.9772.sbeok.shnf

Source:

MAD(FOB Schoeps)>D>CD >WAV>SHN.