17 Drums.flac | 1990-07-18 | Grateful Dead

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238 tapes

Jeff Austin and Chris Castino

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Jerry's Middle Finger

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Joe Russo Presents: Hooteroll? + Plus

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String Cheese Incident

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1,955 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1990

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Spring 1990

Hartford Civic Center

Hartford Civic Center

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Cal State Dominguez Hills

Cal State Dominguez Hills

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Sandstone Ampitheatre

Bonner Springs, KS, USA

Carter-Finley Stadium

Deer Creek Music Center

Deer Creek Music Center

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

San Francisco, California

Internationales Congress Centrum

Internationales Congress Centrum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:28:19

15 tapes

Sources

SOURCE 1 OF 24

gd1990-07-18.147774.UltraMatrix.sbd.cm.miller.flac16

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Two different sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 24

gd1990-07-18.147560.sbd.ultramatrix.pearson.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Two different sets of masters were used to make this show complete

SOURCE 3 OF 24

gd1990-07-18.sbd.miller.95807.sbeok.flac16

Source:

Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) ->Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k)

Lineage:

Set 1: CD -> Samplitude Professional v10.1 -> FLAC

Taper Notes:

View NotesPatch Info:
(FOB) Neumann KM54 -> Dat -> CD (shnid=7358) supplies:
Help On The Way (0:00 - 0:11)

Notes:
-- Set 2 is seamless
-- Set 1 is a remaster of shnid=26352
-- Thanks to Andy Lemieux, David Gans and David Hollister for Set 1
-- Thanks to Joani Walker and Paul Scotton for the Set 2 tape

SOURCE 4 OF 24

gd1990-07-18.sbd.miller.braverman.fix-26352.32218.sbeok.shnf

Source:

Set 1: SBD -> Dat -> Cassette Master DSet 2: SBD -> Dat -> CD D

Lineage:

Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN

Taper Notes:

View NotesTHIS FILE IS APPENDED FROM A PREVIOUS ETREE SEED. THAT TEXT FILE APPEARS BELOW. THIS SEED IS BASED ON CHARLIE MILLER'S SEED #26352. IF YOU HAVE SEED 26352, YOU NEED ONLY TO DOWNLOAD THE FOLLOWING FILES AND SUBSTITUTE FOR THE PREVIOUS SHN FILES:

gd90-07-18d1t01.shn
gd90-07-18d1t02.shn
gd90-07-18d2t07.shn
gd90-07-18d3t01.shn
gd90-07-18d3t02.shn
gd90-07-18d3t03.shn
gd90-07-18d3t04.shn
gd90-07-18.md5

THIS SEED IS BASED ON 26352, WITH CHANGES AS NOTED:

1. The beginning of Help on the Way is restored, including about 23 seconds of tuning and crowd noise, from the cassette master source (etree #12579).

2. Fixed tracking between d1t1 and d1t2.

3. d2t06 should be relabeled as "jam," not "drums." There is a cool four-minute theme after Terrapin.

4. d3t01 (drums) is now d2t07, following normal disk splitting convention. You may, of course, put it anywhere you'd like. Drums and space are seamless.

5. Fixed small gap at the beginning of d2t07.

6. Moved the last 30 seconds of space to the beginning of The Other One; this is where the Other One theme develops.

7. Cut about a minute of dead air before the encore.

8. Cut about 30 seconds of dead air after the encore.

SOURCE 5 OF 24

gd90-07-18.sbd.miller.26352.sbeok.shnf

Source:

Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller

Taper Notes:

View NotesSBD, mixed source: Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller; see pub comments for additional  lineage notes

SOURCE 6 OF 24

Matrix by Dave Usborne

SHNID:

gd1990-07-18.132853.mtx.dusborne.flac16

Source:

2 Source Matrix by Dusborne; Soundboard (shnid:095807) Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k) and Audience (shnid:118904) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes

Taper Notes:

View NotesMatrix by dusborne

03-08-2015
-------------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. 
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

Dave Usborne 03-08-2015

SOURCE 7 OF 24

gd1990-07-18.sbd.bertha.28889.sbeok.shnf

Source:

Set1 SBD>>DAT>>MC>>SHN>>DAW(Bertha)>>CDA/SHN; Set2 SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN

Taper Notes:

View NotesNotes:

Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected].  Completed on October 31, 2004.

Set 1 and Set 2 were processed separately in an attempt to get the sound between the two sources as close as possible at flat setting. The original source for set 1 appears to have some limiting or audio compression applied which accounts for the difference in levels between the sets, and also made the task of matching the sound that much more difficult.

The mix starts out rough and settles in at about 1 minute in to track d1t01.

There are phase issues throughout due to the matrix recording techniques, and also due to the in and out of the vocal mics.

SOURCE 8 OF 24

gd90-07-18.sbd.wilson.12760.sbeok.shnf

SOURCE 9 OF 24

gd1990-07-18.sbd.braverman.12579.shnf

Source:

Soundboard

Taper Notes:

View NotesThanks to Mike W and Mike Lai for the discs. Retracked and seeded by Peter Braverman ([email protected]), July 2002.

*yes, that's FIVE cassette generations, but don't be deterred -- this is a great set and it sounds great.

SOURCE 10 OF 24

Charlie Miller and Joe Noel

SHNID:

gd1990-07-18.143605.FOB.Scheops.Brotman.Miller.Noel.t-flac1648

Source:

Dave Brotman Master Dat Recording: (FOB/Row 20/21) Schoeps CMC3/MK4 (ortf) > M1000 > Oade Pre-Amp > Dat (Panasonic SV-255/48k)

Lineage:

Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesEdited & Mastered by Joe Noel
Flac 16/48 > Audacity > 16/48
November 07, 2018

Notes:
- Master DAT courtesy of Dave Brotman
- Thanks to Charlie for coordinating this effort & the transfer

SOURCE 11 OF 24

2:48:10

SHNID:

gd1990-07-18.156402.mtx.photoleon.flac16

SOURCE 12 OF 24

2:37:58

Taper:

Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

SHNID:

gd1990-07-18.147817.mac.billtmcdee.t.flac2496

Source:

Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette

Lineage:

Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722

Taper Notes:

View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Occasionally you can hear a blown speaker in the stacks distorting, but still way worth it!

Many thanks to:
Baldy
Kenny Watts for the 722
Kevin Klopp for loaning me his mic stands

SOURCE 13 OF 24

2:37:58

Taper:

Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

SHNID:

gd1990-07-18.147816.mac.billtmcdee.t.flac1648

Source:

Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette

Lineage:

Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722

Taper Notes:

View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Occasionally you can hear a blown speaker in the stacks distorting, but still way worth it!


Many thanks to:
Baldy
Kenny Watts for the 722
Kevin Klopp for loaning me his mic stands

SOURCE 14 OF 24

John Ammons and Joe Noel

SHNID:

gd1990-07-18.138229.Scheops.Katzeff.Ammons.fob.t-flac16

Source:

<b>flac16/48kHz</b>; Rick Katzeff recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Oade PS > Panasonic SV255. 1st set 20th row hand held DFC; 2nd set 25th row DFC with 6'3" stand; John Ammons;

Lineage:

from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

SOURCE 15 OF 24

gd1990-07-18.137862.km54.flac16

Source:

Source: Neumann KM54 > Neumann P/S > Denon DTR-80P (44.1 khz); Location: FOB;

Lineage:

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Mike P.; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

Taper Notes:

View NotesNotes:
- signal lost for few seconds after LL Rain into the beginning of Terrapin and for 13 seconds at end of Drumz and beginning of Space
- tape stopped for encore break
- amazing jam out of Terrapin making the song a solid 19 minutes that I chose not to track out. But it is considered by some significant enough to note

Seeded to etree on:

02/21/2017

SOURCE 16 OF 24

gd1990-07-18.137862.km54.patched.flac16

Source:

Updated Source: Neumann KM54 > Neumann P/S > Denon DTR-80P (44.1 khz); Location: FOB;

SOURCE 17 OF 24

gd1990-07-18.Nak100sSenn421.Hill.Keo.131339.Flac2496

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Some higher recording levels in the second set,
still all and all another excellent share from
the Hill collection of masters and The Grateful
Dead's 1990 Summer Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!

SOURCE 18 OF 24

gd1990-07-18.Nak100sSenn421.Hill.Keo.131337.Flac1644

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Some higher recording levels in the second set,
still all and all another excellent share from
the Hill collection of masters and The Grateful
Dead's 1990 Summer Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!

SOURCE 19 OF 24

2:40:42

Taper:

Dave Cohen and Justin Lee

SHNID:

gd1990-07-18.nak300.cohenlee.118904.flac16

Source:

Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC; The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen

SOURCE 20 OF 24

2:43:02

SHNID:

gd1990-07-18.118892.aud.dak5245-pzm.flac

Source:

Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)

Taper Notes:

View NotesComments: These were the only shows I was able to get to in 1990. Since it was two nights
in a row, maybe we'll get a Dew. Got one, with a great show as well. These were some of 
the last shows before the band lost Brent 8 days later. Enjoy the recording folks.

 
Please: Convert to lossy format only for personal use. 
Please: Do Not Buy or Sell This Recording. 
Please: Trade Freely, Keeping The Recorder And Lineage Information Intact. 
Please: Relax and Enjoy!

SOURCE 21 OF 24

gd1990-07-18.AKG451.Darby.117698.Flac1644

Source:

Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software

Taper Notes:

View NotesComments:A Huge thanks out to Mr. Darby for
recording and sharing his source for this show!
This was an excellent performance and this 
recording captures it 100%.Included are two
ticket stub scans,one from Mr. Darby and one 
from me!

SOURCE 22 OF 24

gd1990-07-18.AKG451.Darby.117697.Flac2448

Source:

Taper Notes:

View NotesComments:A Huge thanks out to Mr. Darby for
recording and sharing his source for this show!
This was an excellent performance and this 
recording captures it 100%.Included are two
ticket stub scans,one from Mr. Darby and one 
from me!
As always ENJOY!

SOURCE 23 OF 24

gd1990-07-18.nak300.cousinit.97366.flac16

Source:

NAK550>2 CM300's w/CP4 Shotguns, 1 CM300 (Center Mic)

Lineage:

MC>WAV>FLAC

Taper Notes:

View NotesPatch in Other One at 7:03-7:18 with SHN ID 7538

SOURCE 24 OF 24

gd90-07-18.neumann-fob.gardner.7358.sbeok.shnf