02 Jack Straw.flac | 1989-04-12 | Grateful Dead

View NotesPatch Info:
Schoeps CMC4/MK4 > PCM Master (shnid=140990) supplies:
Space (1:33 - 2:04)

All Transfers and Mastering By Charlie Miller
[email protected]
March 29, 2020

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Ted Mattes and Scott Clugston for the patch source
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 11

2:26:22

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

Charlie Miller

SHNID:

gd1989-04-12.149393.sbd.ultramatrix.pearson-healy.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
Schoeps CMC4/MK4 > PCM Master (shnid=140990) supplies:
Space (1:33 - 2:04)

All Transfers and Mastering By Charlie Miller
[email protected]
March 29, 2020

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Ted Mattes and Scott Clugston for the patch source

SOURCE 3 OF 11

gd1989-04-12.sbd.walker-scotton.miller.83768.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
(2) Nakamichi 300/CP4 + (2) Sennheiser 441 -> Cassette Master -> CD
Space (1:39 - 1:56)

Notes:
-- Encore moved to end of 1st set to fit show onto 2 discs
-- 2nd Set and Encore can be re-joined seamlessly
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Patch source recorded By Steve Cherson

SOURCE 4 OF 11

4:32:09

SBD

Source:

Ultramatrix (SBD/AUD mix)

Lineage:

Master Cassette> DAT> CD> SHN

Taper Notes:

View NotesTape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly.

Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter.

Tape flip between drums and space. No idea how much is missing.

The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity.

Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman ([email protected]), May 2002.

SOURCE 5 OF 11

gd89-04-12.sbd-matrix.willy.9962.sbeok.shnf

Source:

Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN

Taper Notes:

View NotesUltramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; via PB (l'autre); Seeded to etree by Peter Braverman; misid'ed in dirname as db.etree.org fixed shnid 9962- it's alt-fixed shnid 29631

SOURCE 6 OF 11

gd1989-04-12.sbd.braverman.9383.shnf

Source:

Ultramatrix (SBD/AUD mix)

Lineage:

Master Cassette> DAT> CD> SHN

Taper Notes:

View NotesTape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly.

Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter.

Tape flip between drums and space. No idea how much is missing.

The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity.

Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman ([email protected]), May 2002.

SOURCE 7 OF 11

Scott Clugston and Charlie Miller

SHNID:

gd1989-04-12.140990.set2.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644

Source:

Set 2 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16

SOURCE 8 OF 11

2:33:01

SHNID:

gd1989-04-12.156414.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16

SOURCE 9 OF 11

gd1989-04-12.AKG451.Darby.120338.Flac2448

Source:

Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo

Taper Notes:

View NotesComments:Another Huge Huge Thanks out to Mr. Darby
for recording and sharing his sources from this run
of shows from the Rosemont Horizon!Another excellent
recording and share from the Darby collection of
recorded master Grateful Dead audience sources!
Nothing Left To Do But Smile,Smile,Smile!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 10 OF 11

gd1989-04-12.AKG451.Darby.120337.Flac1644

Source:

Taper Notes:

View NotesComments:Another Huge Huge Thanks out to Mr. Darby
for recording and sharing his sources from this run
of shows from the Rosemont Horizon!Another excellent
recording and share from the Darby collection of
recorded master Grateful Dead audience sources!
Nothing Left To Do But Smile,Smile,Smile!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 11 OF 11

Brian Green and Paul Gilbert

SHNID:

gd1989-04-12.nak100.holtz.LMPP.95291.sbeok.flac16

Source:

(OTS) Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5

Lineage:

MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > Adobe Audition 3.0 > CDWave > Flac16

Taper Notes:

View NotesNotes:

- Notes From The Taper

During this run of Rosemont shows, I regretfully let my buddy Danny T. run the taping rig.  He was a Chicago boy and liked to tape the shows when the Dead came into his town.  Seeing as how he was the one with a straight job, and he owned some of the gear I was using, and and I was the one traveling all over the country taping everywhere else, I obliged him when the circus came to Chicago.  I knew of a good ticket outlet to go to when Rosemont tickets went on sale, and I always got tickets in the first ten rows, so I liked to get down close and not really have to hassle with the gear.  My girlfriend appreciated the time away from the taping section as well.  In retrospect, I wish I would have gone full FOB gonzo those nights, as the result would have produced a much better recording, but alas, I did not.  Anyway, Danny was not much to check and secure mics, cables, connections, decks, etc., before the music actually began, so he inevitably made tapes with cuts, chops, dropouts, level problems, bad flips, pretty much everything that you could do wrong, he managed to do.  (I love ya Danny, but ya just weren't cut out for the job.).  Anyway, that accounts for any sonic anomalies that plague these Rosemont recordings.  I am amazed that the LMPP guys have been able to do what they do to resurrect these tapes from the point of no return.  Thanks to all for your hard work guys.

Greg Holtz
October 2008

- Mastered with Adobe Audition and various plugins.

- The beginning of all the tapes were plagued with dropouts for the first few

minutes in the left hand channel - The worst being d1t02 Jack Straw where the left hand channel was unuseable for much of the song.  The first 3 minutes 25 Seconds have been matrixed with CM's soundboard source.

- d2t09 - Space - three small total dropouts patched with CM's sbd source

- Encore moved to end of 1st set to fit show onto 2 discs

- 2nd Set and Encore can be re-joined seamlessly