gd82-07-31 t13 Tuning | 1982-07-31 | Grateful Dead

View NotesNotes:
- Thanks to Frank Streeter for the 1st generation Reels 
- Thanks to Tim Dalton for the PCM source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Steve Martin and Jack Warner for the shnid19017 Nakamichi 700 source which supplies a 0:17 patch in "Eyes Of The World", a 0:09 patch in "One More Saturday Night", as well as the crowd and first note of "Don't Ease Me In" (0:04 total)

Mastered by Scott Clugston
March 27, 2018

SOURCE 2 OF 13

2:59:07

SBD

gd82-07-31.sbd.miller.31002.sbeok.flacf

Source:

Soundboard

Lineage:

SBD > Cassette Master > DAT (44.1khz) > Sony R500 > SEK'D Prodif Plus > Samplitude Professional v7.02 > FLAC16

Taper Notes:

View Notes<b>flac16</b>; SBD -> Cassette Master -> Dat (44.1k)

Transferred and Edited By Charlie Miller

SOURCE 3 OF 13

gd1982-07-31.112575.sbd.LATVALA.GEMS.flac16

Source:

fkac16: Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz

SOURCE 4 OF 13

gd1982-07-31.mtx.chappell.sb11.30625.sbeok.flac16

Source:

SBD: (shn ID 3415); AUD: (shn ID 19017)

Lineage:

SRCS > WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16 (level 8)

Taper Notes:

View NotesThis show is simply smokin', definately top 5 '82 along with 9-17, 4-6, 8-10
and 8-3. Apparently, post drums is actually after midnight, thus Jerry's birthday,
which a few people remind him during the mellow part of the Dew.  The crowd
certainly got treated to "one of those shows" this night at the racetrack.

SOURCE 5 OF 13

3:00:56

SBD

Transferrer:

Jeff M and Chris Perkins

SHNID:

gd1982-07-31.sbd.jeffm.13310.sbeok.shnf

Source:

Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN

Taper Notes:

View Notes*** Jerrys guitar is low in the mix during Alabama, but gets better quick and for the rest of the show it is fine.

Email Jeff M. at above email with any flaw notation additions

*** Chris Perkins - notes & minor changes 08/01 ***
-split Alabama Getaway into a Tuning & song track using CD Wav
-split Scarlet > Fire using CD Wav and re-encoded to Shn
-renumbered disc 1 & 2 tracks to reflect above
-deleted 0.56 second silent gap at 4.8 seconds of Sat Nite, essentially turning a drop-out into a splice.
there may have been more than 0.56 seconds missing.
-merged new version of Sat Nite with Don't Ease and re-cut on sector boudaries
-all of Set 1 will fit on an 80 minute disc
-other flaws
- d2t05 (Eyes): small dropout at 11:48
- d3t02 (UJB): some amp noise, primarily a buzz in right channel, 3:15-3:39
- d3t05 (Dew): a few volume changes and some distortion, 4:08-4:25

SOURCE 6 OF 13

gd82-07-31.sbd.martinson.3419.sbeok.shnf

Source:

Soundboard

Lineage:

SBD > Master Cassette > Cassette > DAT > CDR > EAC > SHN

Taper Notes:

View NotesSoundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.

SOURCE 7 OF 13

Scott Clugston, Charlie Miller

SHNID:

gd1982-07-31.158063.beyer.m88.vita.miller.clugston.flac2496

Lineage:

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Steve Martin and Jack Warner for the Nakamichi 700 source which supplies a 12:43 patch in "Drums > Space"
- Most likely courtesy of Rip Tompkins and Richie Stankiewicz
- Occasional slight wind noise
- Pitch corrected

Mastered by Scott Clugston
March 2022

SOURCE 8 OF 13

Scott Clugston, Charlie Miller

SHNID:

gd1982-07-31.158062.beyer.m88.vita.miller.clugston.flac1648

Lineage:

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Steve Martin and Jack Warner for the Nakamichi 700 source which supplies a 12:43 patch in "Drums > Space"
- Most likely courtesy of Rip Tompkins and Richie Stankiewicz
- Occasional slight wind noise
- Pitch corrected

Mastered by Scott Clugston
March 2022

SOURCE 9 OF 13

gd1982-07-31.156440.gardner.suraci.nak300.flac16

Source:

Nakamichi CM304>Sony TCD-5M (Maxell XLllS) Location: FOB, Stand at 6 feet*

Lineage:

Transfer: Nakamichi Cassette Deck 1 (manual azimuth adjust)>Sound Devices Mix Pre 6 @24/48 Editing: SD card>Adobe Audition 3.0>CDwav>TLH>flac16

SOURCE 10 OF 13

gd1982-07-31.156439.gardner.suraci.nak300.flac24

Source:

Nakamichi CM304>Sony TCD-5M (Maxell XLllS) Location: FOB, Stand at 6 feet*

Lineage:

Transfer: Nakamichi Cassette Deck 1 (manual azimuth adjust)>Sound Devices Mix Pre 6 @24/48 Editing: SD card>Adobe Audition 3.0>CDwav>TLH>flac16

SOURCE 11 OF 13

2:46:58

Taper:

Executive Crew: Kyle Holbrook & Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1982-07-31.138617.beyerm201.holbrook.flac2448

Source:

flac24 48khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook

Taper Notes:

View NotesNotes:

*     Missing start
++    slight distortion (t01@2' & t03 @12')
//    tape flip
/   / # cut twice after flip near end of drums-missing
      some drums, starts when Jerry, Bob, Phil, and
      Brent came on stage.
&     After first verse-odd static from PA lasts about 12 seconds.
/     general note: Our practice at the time was to stop the recorder after
      every time the band stopped. The theory was saving batteries and tape
      space. We would learn to record the entire show by Spring 83!

Manor Downs Raceway, near Austin TX July 31 1982
Mic location: About 85 feet from stage near center
We caravaned down to Austin the next afternoon arriving a bit late but buying tickets at the gate- for $10! We set up about 30 feet in front of the board next to about 3 groups of guys with mic stands, one guy using a crutch with a single mic on it and another guy holding up a boombox on a crutch recording the show with it. Eric lost his wallet, skip said he saw people having sex in the bushes, Olvy got mad at a dude yelling underneath HIS own mics (one pointed toward the sky the other at the stage!). The recording tells me we had a good time and came out with a relatively decent tape. The complete story of our summer tour can be read in the text file.

SOURCE 12 OF 13

2:46:58

Taper:

Executive Crew: Kyle Holbrook & Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1982-07-31.138616.beyerm201.holbrook.flac1644

Source:

flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook

Taper Notes:

View NotesNotes:

*     Missing start
++    slight distortion (t01@2' & t03 @12')
//    tape flip
/   / # cut twice after flip near end of drums-missing
      some drums, starts when Jerry, Bob, Phil, and
      Brent came on stage.
&     After first verse-odd static from PA lasts about 12 seconds.
/     general note: Our practice at the time was to stop the recorder after
      every time the band stopped. The theory was saving batteries and tape
      space. We would learn to record the entire show by Spring 83!

Manor Downs Raceway, near Austin TX July 31 1982
Mic location: About 85 feet from stage near center
We caravaned down to Austin the next afternoon arriving a bit late but buying tickets at the gate- for $10! We set up about 30 feet in front of the board next to about 3 groups of guys with mic stands, one guy using a crutch with a single mic on it and another guy holding up a boombox on a crutch recording the show with it. Eric lost his wallet, skip said he saw people having sex in the bushes, Olvy got mad at a dude yelling underneath HIS own mics (one pointed toward the sky the other at the stage!). The recording tells me we had a good time and came out with a relatively decent tape. The complete story of our summer tour can be read in the text file.

SOURCE 13 OF 13

gd82-07-31.aud-nakcm700.martin.warner.19017.sbeok.shnf

Source:

Audience: modified Nakamichi CM-700's

Lineage:

modified Nak CM-700's > Sony TC-D5M > Nak Dragon > HHB CDR 800 > CDR > Samsung SW-232B > EAC v0.9 beta 4 > CD Wave > shntool > SHN

Taper Notes:

View NotesMAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD 
Wave) > sector boundary verification (shntool v1.01) > .shn encoding 

(mkwACT v0.97 beta 1)