1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	83.3k	10.5k
7d	243.5k	30.6k
30d	1.3M	169.8k

2,080 shows

18,079 tapes

Phish

284.2k

Playback	Listens	Hours
48h	16.5k	2.6k
7d	48.1k	7.5k
30d	284.2k	44.1k

Bands

Playback	Listens	Hours
48h	54	4
7d	139	9
30d	891	56

Playback	Listens	Hours
48h	1	7m
7d	39	6
30d	151	24

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	1

Playback	Listens	Hours
48h	6	1
7d	16	3
30d	253	34

83 shows

116 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	3	19m
7d	4	23m
30d	38	4

Playback	Listens	Hours
48h	0	0m
7d	6	27m
30d	149	12

Playback	Listens	Hours
48h	72	6
7d	98	8
30d	335	29

Playback	Listens	Hours
48h	24	3
7d	27	3
30d	308	36

123 shows

134 tapes

Animal Liberation Orchestra

1.3k

Playback	Listens	Hours
48h	109	11
7d	275	38
30d	1.3k	168

Playback	Listens	Hours
48h	37	8
7d	53	11
30d	113	21

Playback	Listens	Hours
48h	62	6
7d	172	15
30d	1.1k	105

Playback	Listens	Hours
48h	1	17m
7d	21	5
30d	184	38

Playback	Listens	Hours
48h	7	1
7d	183	23
30d	752	95

Playback	Listens	Hours
48h	0	0m
7d	38	4
30d	105	10

102 shows

107 tapes

Bela Fleck and the Flecktones

1.5k

Playback	Listens	Hours
48h	152	20
7d	213	29
30d	1.5k	186

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	2	9m
7d	7	37m
30d	38	3

Playback	Listens	Hours
48h	4	18m
7d	38	6
30d	186	24

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	12	2
7d	5	41m
30d	43	8

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	13	60m
30d	26	3

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	50	8

Playback	Listens	Hours
48h	37	5
7d	119	18
30d	528	75

Playback	Listens	Hours
48h	105	14
7d	379	51
30d	2.2k	292

Playback	Listens	Hours
48h	5.4k	544
7d	15.4k	1.5k
30d	88.6k	8.8k

Playback	Listens	Hours
48h	73	5
7d	370	27
30d	1.6k	114

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	0	0m
7d	53	4
30d	94	8

Playback	Listens	Hours
48h	130	13
7d	441	51
30d	2.4k	274

Playback	Listens	Hours
48h	288	40
7d	928	123
30d	5.2k	686

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	17	3
7d	146	23
30d	1.1k	184

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	5	30m
7d	4	40m
30d	62	7

Playback	Listens	Hours
48h	116	11
7d	181	17
30d	1.2k	115

Playback	Listens	Hours
48h	131	14
7d	294	31
30d	1.2k	125

Playback	Listens	Hours
48h	58	3
7d	152	8
30d	376	20

Playback	Listens	Hours
48h	28	3
7d	34	5
30d	238	33

Playback	Listens	Hours
48h	18	1
7d	41	3
30d	265	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	1	17m
7d	0	0m
30d	3	47m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	4	53m
30d	73	10

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	131	29
7d	403	85
30d	1.7k	351

Playback	Listens	Hours
48h	3	31m
7d	45	7
30d	287	54

Playback	Listens	Hours
48h	41	3
7d	193	16
30d	777	66

Playback	Listens	Hours
48h	72	10
7d	68	10
30d	546	81

Playback	Listens	Hours
48h	464	65
7d	980	129
30d	4.2k	581

Playback	Listens	Hours
48h	510	66
7d	1.3k	179
30d	6.5k	904

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	23	6

Playback	Listens	Hours
48h	1	5m
7d	24	3
30d	188	17

Playback	Listens	Hours
48h	2.5k	406
7d	7.1k	1.2k
30d	40.3k	6.5k

Playback	Listens	Hours
48h	42	4
7d	80	8
30d	325	36

Playback	Listens	Hours
48h	75	5
7d	245	16
30d	1.2k	75

Playback	Listens	Hours
48h	27	4
7d	273	32
30d	1.5k	185

Playback	Listens	Hours
48h	800	160
7d	2.4k	486
30d	13.2k	2.8k

Playback	Listens	Hours
48h	27	3
7d	94	10
30d	267	28

Playback	Listens	Hours
48h	196	30
7d	633	100
30d	3.3k	513

Playback	Listens	Hours
48h	1	43m
7d	4	34m
30d	108	25

Playback	Listens	Hours
48h	72	7
7d	308	34
30d	1.7k	176

Playback	Listens	Hours
48h	15	3
7d	38	6
30d	264	42

Playback	Listens	Hours
48h	136	11
7d	320	30
30d	3.1k	274

Playback	Listens	Hours
48h	35	6
7d	119	20
30d	454	77

Playback	Listens	Hours
48h	26	4
7d	42	7
30d	160	22

Playback	Listens	Hours
48h	68	11
7d	281	48
30d	1.8k	299

151 shows

291 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	121	16
7d	314	44
30d	1.7k	242

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	12	5

Playback	Listens	Hours
48h	117	6
7d	187	10
30d	767	42

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	84	12

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	40	10

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	98	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	7	2

Playback	Listens	Hours
48h	78	5
7d	39	3
30d	294	32

Playback	Listens	Hours
48h	0	0m
7d	45	3
30d	108	7

Playback	Listens	Hours
48h	1	4m
7d	23	2
30d	191	15

Playback	Listens	Hours
48h	4	17m
7d	2	5m
30d	156	10

Playback	Listens	Hours
48h	625	96
7d	2.1k	324
30d	9.9k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

650

Playback	Listens	Hours
48h	62	5
7d	97	8
30d	650	57

Playback	Listens	Hours
48h	52	6
7d	249	26
30d	1.2k	134

Playback	Listens	Hours
48h	13	1
7d	27	4
30d	141	18

Playback	Listens	Hours
48h	15	3
7d	51	9
30d	272	58

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	1	7m
7d	10	1
30d	17	3

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	7	1
7d	3	1
30d	54	13

Playback	Listens	Hours
48h	77	8
7d	270	31
30d	1.2k	143

374 shows

508 tapes

Godspeed You Black Emperor!

429

Playback	Listens	Hours
48h	12	4
7d	44	13
30d	429	120

Playback	Listens	Hours
48h	5	49m
7d	7	1
30d	109	14

Playback	Listens	Hours
48h	4.5k	981
7d	12.1k	2.6k
30d	46.7k	9.8k

Playback	Listens	Hours
48h	24	2
7d	84	8
30d	318	28

363 shows

589 tapes

Grahame Lesh and Friends

1.9k

Playback	Listens	Hours
48h	59	10
7d	424	65
30d	1.9k	282

Playback	Listens	Hours
48h	0	0m
7d	42	6
30d	124	17

Playback	Listens	Hours
48h	403	49
7d	911	107
30d	6.2k	727

875 shows

1,454 tapes

Greyboy Allstars

Playback	Listens	Hours
48h	46	5
7d	235	29
30d	1k	117

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	12	2
7d	21	4
30d	33	6

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	2	7m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	3	40m
7d	4	31m
30d	23	3

Playback	Listens	Hours
48h	69	5
7d	44	3
30d	354	24

755 shows

1,036 tapes

Hard Working Americans

136

Playback	Listens	Hours
48h	6	40m
7d	19	2
30d	136	15

Playback	Listens	Hours
48h	12	2
7d	67	12
30d	409	69

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	24	2
30d	47	4

Playback	Listens	Hours
48h	27	2
7d	7	58m
30d	229	23

674 shows

846 tapes

Infamous Stringdusters

1.4k

Playback	Listens	Hours
48h	89	8
7d	181	17
30d	1.4k	134

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	9	2
30d	11	2

Playback	Listens	Hours
48h	275	18
7d	711	47
30d	4.9k	324

Playback	Listens	Hours
48h	7	1
7d	73	8
30d	290	30

364 shows

491 tapes

Jazz Mandolin Project

101

Playback	Listens	Hours
48h	20	2
7d	9	2
30d	101	17

222 shows

280 tapes

Jeff Austin and Chris Castino

153

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	153	14

12 shows

14 tapes

Jeff Austin And Friends

161

Playback	Listens	Hours
48h	8	48m
7d	30	3
30d	161	16

Playback	Listens	Hours
48h	40	5
7d	282	42
30d	1.4k	188

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.6k

Playback	Listens	Hours
48h	90	18
7d	368	65
30d	2.6k	433

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.9k

Playback	Listens	Hours
48h	282	40
7d	696	96
30d	3.9k	547

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	3	23m
7d	5	47m
30d	15	2

2 shows

5 tapes

Joe Russo's Almost Dead

42.5k

Playback	Listens	Hours
48h	1.8k	345
7d	6.5k	1.2k
30d	42.5k	8k

Playback	Listens	Hours
48h	59	6
7d	145	17
30d	674	77

Playback	Listens	Hours
48h	213	18
7d	308	28
30d	2.4k	216

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	3	42m
7d	5	29m
30d	37	4

Playback	Listens	Hours
48h	0	0m
7d	7	29m
30d	113	8

Playback	Listens	Hours
48h	3	12m
7d	40	4
30d	100	10

73 shows

109 tapes

Karl Denson's Tiny Universe

174

Playback	Listens	Hours
48h	2	28m
7d	22	3
30d	174	24

Playback	Listens	Hours
48h	242	24
7d	799	83
30d	4.6k	441

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	6	55m
7d	15	2
30d	76	11

43 shows

54 tapes

King Gizzard & the Lizard Wizard

16k

Playback	Listens	Hours
48h	1k	152
7d	2.9k	392
30d	16k	2.1k

Playback	Listens	Hours
48h	147	19
7d	377	54
30d	1.8k	250

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	60	9

Playback	Listens	Hours
48h	49	9
7d	175	34
30d	680	132

Playback	Listens	Hours
48h	31	4
7d	137	17
30d	893	106

Playback	Listens	Hours
48h	228	20
7d	713	69
30d	3.8k	354

Playback	Listens	Hours
48h	180	25
7d	639	99
30d	3.2k	540

Playback	Listens	Hours
48h	309	27
7d	856	78
30d	5.8k	538

Playback	Listens	Hours
48h	140	11
7d	332	27
30d	1.4k	112

Playback	Listens	Hours
48h	104	21
7d	329	65
30d	1.5k	273

437 shows

622 tapes

Marco Benevento

Playback	Listens	Hours
48h	14	55m
7d	0	0m
30d	70	6

Playback	Listens	Hours
48h	104	9
7d	467	44
30d	2.3k	218

Playback	Listens	Hours
48h	10	55m
7d	33	3
30d	236	25

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	221	35
7d	628	100
30d	4.1k	644

Playback	Listens	Hours
48h	4	17m
7d	20	1
30d	358	22

Playback	Listens	Hours
48h	34	4
7d	71	7
30d	208	21

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	1	2m
7d	8	15m
30d	78	2

Playback	Listens	Hours
48h	87	6
7d	131	9
30d	965	67

Playback	Listens	Hours
48h	532	88
7d	2k	323
30d	10.5k	1.7k

1,988 shows

4,488 tapes

Mogwai

Playback	Listens	Hours
48h	5	28m
7d	7	34m
30d	40	4

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	117	10

Playback	Listens	Hours
48h	219	24
7d	654	68
30d	4.7k	482

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	36	3

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	2	12m
7d	1	5m
30d	54	5

Playback	Listens	Hours
48h	77	10
7d	110	15
30d	560	79

138 shows

250 tapes

Nels Cline

Playback	Listens	Hours
48h	4	1
7d	2	9m
30d	27	5

62 shows

73 tapes

New Riders of the Purple Sage

1.8k

Playback	Listens	Hours
48h	65	6
7d	316	28
30d	1.8k	150

410 shows

597 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	113	11
7d	310	30
30d	1.3k	129

Playback	Listens	Hours
48h	88	8
7d	181	19
30d	892	95

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	0	0m
7d	48	9
30d	151	27

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	5	42m
7d	8	58m
30d	98	14

Playback	Listens	Hours
48h	95	17
7d	272	51
30d	1.5k	283

689 shows

920 tapes

Phil Lesh and Friends

15.1k

Playback	Listens	Hours
48h	905	159
7d	2.5k	434
30d	15.1k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

2.1k

Playback	Listens	Hours
48h	139	22
7d	387	63
30d	2.1k	322

Playback	Listens	Hours
48h	380	43
7d	846	107
30d	4.4k	568

292 shows

433 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	369	52
7d	577	74
30d	4.2k	549

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	5	16m
7d	0	0m
30d	4	19m

Playback	Listens	Hours
48h	34	5
7d	64	8
30d	496	64

Playback	Listens	Hours
48h	436	55
7d	1.3k	174
30d	7.2k	957

Playback	Listens	Hours
48h	173	15
7d	382	33
30d	1.5k	120

Playback	Listens	Hours
48h	112	8
7d	513	38
30d	1.9k	156

Playback	Listens	Hours
48h	182	15
7d	425	35
30d	2.3k	197

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	10	2

77 shows

96 tapes

Sam Grisman Project

Playback	Listens	Hours
48h	161	16
7d	718	68
30d	4k	376

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	12	2
7d	11	1
30d	30	3

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	27	5
30d	80	11

Playback	Listens	Hours
48h	10	1
7d	6	53m
30d	121	14

Playback	Listens	Hours
48h	44	4
7d	108	10
30d	1.2k	101

Playback	Listens	Hours
48h	227	31
7d	649	103
30d	2.9k	462

Playback	Listens	Hours
48h	80	19
7d	256	58
30d	1.4k	338

Playback	Listens	Hours
48h	8	32m
7d	33	2
30d	285	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	26	4

Playback	Listens	Hours
48h	66	8
7d	150	21
30d	708	117

Playback	Listens	Hours
48h	123	28
7d	335	77
30d	1.8k	409

Playback	Listens	Hours
48h	77	11
7d	277	40
30d	1.7k	231

667 shows

1,139 tapes

String Cheese Incident

20.7k

Playback	Listens	Hours
48h	1.2k	196
7d	4.3k	714
30d	20.7k	3.4k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

104

Playback	Listens	Hours
48h	0	0m
7d	36	3
30d	104	11

Playback	Listens	Hours
48h	0	0m
7d	14	3
30d	250	46

Playback	Listens	Hours
48h	19	3
7d	30	4
30d	158	21

Playback	Listens	Hours
48h	27	3
7d	108	13
30d	758	81

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	13	1

Playback	Listens	Hours
48h	760	84
7d	2.7k	296
30d	12.8k	1.5k

Playback	Listens	Hours
48h	24	60m
7d	65	3
30d	152	8

Playback	Listens	Hours
48h	145	18
7d	275	35
30d	1.7k	207

Playback	Listens	Hours
48h	36	5
7d	51	7
30d	346	52

473 shows

627 tapes

The California Honeydrops

433

Playback	Listens	Hours
48h	12	1
7d	56	9
30d	433	56

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	1	7m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	261	40
7d	804	113
30d	2.9k	413

Playback	Listens	Hours
48h	18	2
7d	65	5
30d	305	27

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	4	34m
30d	24	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	6	35m
30d	24	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	7	44m
30d	10	58m

Playback	Listens	Hours
48h	41	7
7d	55	9
30d	359	59

Playback	Listens	Hours
48h	9	1
7d	9	51m
30d	127	15

Playback	Listens	Hours
48h	346	19
7d	905	46
30d	3.1k	168

Playback	Listens	Hours
48h	26	2
7d	231	15
30d	936	66

Playback	Listens	Hours
48h	8	2
7d	19	5
30d	216	44

Playback	Listens	Hours
48h	142	15
7d	255	26
30d	1.1k	115

Playback	Listens	Hours
48h	299	43
7d	326	48
30d	1.7k	254

Playback	Listens	Hours
48h	527	51
7d	1.9k	180
30d	7.3k	714

1,453 shows

1,652 tapes

The Walkmen

Playback	Listens	Hours
48h	23	2
7d	40	3
30d	90	6

Playback	Listens	Hours
48h	56	7
7d	153	17
30d	825	84

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	4	39m
7d	21	4
30d	30	6

Playback	Listens	Hours
48h	97	10
7d	233	25
30d	1.5k	157

223 shows

285 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	50	3
7d	229	16
30d	1k	67

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	283	50
7d	980	153
30d	7.1k	1k

Playback	Listens	Hours
48h	0	0m
7d	75	7
30d	124	12

Playback	Listens	Hours
48h	100	18
7d	366	56
30d	1.7k	277

Playback	Listens	Hours
48h	371	53
7d	1.1k	162
30d	5.1k	762

Playback	Listens	Hours
48h	0	0m
7d	33	3
30d	244	22

Playback	Listens	Hours
48h	24	2
7d	253	18
30d	1.5k	111

Playback	Listens	Hours
48h	1.1k	88
7d	2.5k	202
30d	13.3k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	72	7

Playback	Listens	Hours
48h	16.4k	1.9k
7d	33.7k	4k
30d	149k	17.6k

Playback	Listens	Hours
48h	43	7
7d	193	32
30d	864	133

1,416 shows

2,242 tapes

Yonder Mountain String Band

12k

Playback	Listens	Hours
48h	877	81
7d	2.7k	264
30d	12k	1.1k

Playback	Listens	Hours
48h	130	21
7d	375	63
30d	1.5k	229

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	47	9
7d	215	37
30d	1.6k	291

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	3	17m
30d	13	2

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.4k	180
7d	5.5k	735
30d	27.2k	3.6k

Playback	Listens	Hours
48h	650	97
7d	3.8k	555
30d	18k	2.6k

Playback	Listens	Hours
48h	882	117
7d	5.3k	728
30d	37.4k	4.9k

Playback	Listens	Hours
48h	3.9k	509
7d	5.3k	648
30d	33.2k	4.2k

Playback	Listens	Hours
48h	1.6k	214
7d	8.7k	1.2k
30d	59.2k	7.9k

Playback	Listens	Hours
48h	2.5k	328
7d	12.9k	1.7k
30d	67.4k	8.8k

Playback	Listens	Hours
48h	2.2k	275
7d	8k	1k
30d	48.9k	6.1k

Playback	Listens	Hours
48h	3.6k	425
7d	8.8k	1k
30d	32.7k	3.8k

Playback	Listens	Hours
48h	3.4k	388
7d	12.6k	1.4k
30d	57k	6.4k

Playback	Listens	Hours
48h	3.9k	420
7d	2.9k	326
30d	15.4k	1.7k

Playback	Listens	Hours
48h	4.5k	513
7d	18.1k	2k
30d	51.1k	5.8k

Playback	Listens	Hours
48h	3.5k	438
7d	10k	1.3k
30d	36.2k	4.5k

Playback	Listens	Hours
48h	1.9k	247
7d	9.3k	1.2k
30d	33.4k	4.4k

Playback	Listens	Hours
48h	1.1k	136
7d	3.4k	418
30d	20.3k	2.5k

Playback	Listens	Hours
48h	1.1k	136
7d	4k	516
30d	26.3k	3.3k

Playback	Listens	Hours
48h	3.1k	369
7d	6.5k	751
30d	65.7k	7.6k

Playback	Listens	Hours
48h	1.7k	233
7d	4.4k	626
30d	21.5k	3k

Playback	Listens	Hours
48h	1.4k	188
7d	10k	1.3k
30d	40.9k	5.4k

Playback	Listens	Hours
48h	5.7k	807
7d	19.2k	2.7k
30d	154.6k	21.4k

Playback	Listens	Hours
48h	11.4k	1.5k
7d	21.3k	2.9k
30d	149.6k	20.3k

Playback	Listens	Hours
48h	314	30
7d	747	78
30d	7.2k	742

Playback	Listens	Hours
48h	7.5k	1k
7d	22.5k	2.9k
30d	97.9k	12.6k

Playback	Listens	Hours
48h	5.9k	782
7d	15.5k	1.9k
30d	79k	10.4k

Playback	Listens	Hours
48h	2.1k	265
7d	7k	872
30d	41.4k	5.2k

Playback	Listens	Hours
48h	1.4k	153
7d	4.4k	491
30d	29.3k	3.3k

Playback	Listens	Hours
48h	1.2k	133
7d	6.8k	701
30d	39.1k	4.1k

Playback	Listens	Hours
48h	1.1k	154
7d	4.2k	551
30d	24.8k	3.6k

Playback	Listens	Hours
48h	312	42
7d	989	121
30d	7.4k	938

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	165	20
7d	279	44
30d	2k	286

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	264	16
7d	685	47
30d	5k	333

Playback	Listens	Hours
48h	19	1
7d	84	5
30d	533	32

1974

Playback	Listens	Hours
48h	1	5m
7d	6	31m
30d	20	2

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	28	4
7d	210	26
30d	1.1k	138

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	71	8
7d	204	23
30d	1.6k	191

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	57	10
7d	218	40
30d	1.4k	213

San Francisco, CA, USA

894

Playback	Listens	Hours
48h	60	6
7d	107	12
30d	894	101

San Francisco, CA, USA

504

Playback	Listens	Hours
48h	8	1
7d	59	11
30d	504	89

Playback	Listens	Hours
48h	10	1
7d	16	2
30d	177	25

Playback	Listens	Hours
48h	11	1
7d	26	4
30d	191	27

Playback	Listens	Hours
48h	48	7
7d	126	17
30d	593	80

Playback	Listens	Hours
48h	7	1
7d	33	5
30d	141	20

Playback	Listens	Hours
48h	41	9
7d	254	49
30d	987	196

Playback	Listens	Hours
48h	2	24m
7d	25	5
30d	307	53

Playback	Listens	Hours
48h	1	23m
7d	0	0m
30d	84	10

Playback	Listens	Hours
48h	121	15
7d	257	33
30d	1.2k	155

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

628

Playback	Listens	Hours
48h	8	1
7d	119	16
30d	628	80

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

643

Playback	Listens	Hours
48h	12	2
7d	97	13
30d	643	91

Playback	Listens	Hours
48h	22	3
7d	166	20
30d	937	115

Playback	Listens	Hours
48h	41	5
7d	73	9
30d	392	50

Playback	Listens	Hours
48h	13	2
7d	154	19
30d	725	90

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

659

Playback	Listens	Hours
48h	7	40m
7d	65	8
30d	659	76

Playback	Listens	Hours
48h	2	29m
7d	53	6
30d	292	36

Playback	Listens	Hours
48h	71	12
7d	157	23
30d	591	85

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

809

Playback	Listens	Hours
48h	2.2k	294
7d	154	25
30d	809	123

Playback	Listens	Hours
48h	2.7k	383
7d	4.6k	613
30d	5.6k	760

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

8.4k

Playback	Listens	Hours
48h	517	75
7d	7.3k	970
30d	8.4k	1.1k

Playback	Listens	Hours
48h	196	21
7d	2.7k	317
30d	8.5k	973

Playback	Listens	Hours
48h	146	15
7d	684	83
30d	5k	557

Playback	Listens	Hours
48h	41	4
7d	133	17
30d	5.7k	651

Playback	Listens	Hours
48h	234	34
7d	812	119
30d	9.9k	1.4k

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

8.4k

Playback	Listens	Hours
48h	63	9
7d	204	28
30d	8.4k	1.2k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

Playback	Listens	Hours
48h	45	7
7d	180	25
30d	6k	815

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

1.7k

Playback	Listens	Hours
48h	62	6
7d	121	11
30d	1.7k	174

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

2.1k

Playback	Listens	Hours
48h	70	9
7d	111	19
30d	2.1k	316

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

9.5k

Playback	Listens	Hours
48h	486	52
7d	1.2k	138
30d	9.5k	1.1k

Vancouver, British Columbia, Canada

1.2k

Playback	Listens	Hours
48h	40	4
7d	69	7
30d	1.2k	141

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

Playback	Listens	Hours
48h	91	13
7d	344	45
30d	3k	397

Playback	Listens	Hours
48h	16	2
7d	73	9
30d	824	98

Playback	Listens	Hours
48h	180	21
7d	513	58
30d	2k	225

Playback	Listens	Hours
48h	1	6m
7d	12	1
30d	99	8

San Francisco, CA, USA

2.4k

Playback	Listens	Hours
48h	56	9
7d	364	53
30d	2.4k	339

San Francisco, CA, USA

1.2k

Playback	Listens	Hours
48h	36	4
7d	139	18
30d	1.2k	142

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	154	16
7d	290	30
30d	1.4k	155

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
[email protected]
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   [email protected]


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: [email protected]
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - [email protected]
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)